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The Wufang Pavilion situates to the west of Foxiang Pavilion, opposed to the
Depository of Buddhist Scriptures. And the bronze Baoyun Pavilion stands in its
middle. Lamas were required to recite scriptures here on every first and 15th
days of the lunar month, praying for auspices and longevity.
The Baoyun Pavilion was noted for its unique material---bronze. The green bronze
pavilion on the white marble pedestal was quite exquisite works of art. Builit
in 1755, the 207-ton pavilion is 7.5 meters in height, using 207,000 kg of bronze.
Composed of thousands of bronze parts, the pavilion has the same structure with
ordinary wooden one: pillars, beams, brackets, tiles, steles, etc.
The exquisite lines on the brnze parts were cast in traditional Chinese technique.
At frist, the craftsman made the model with wax, covered with earth. Several opentings
should be made on the wax model. When the melting bronze was poured in through
the openings, the wax immediately liquefied and flowed out. After cooling off,
the earth crust would be broken. Then, the designed pattern and lines were completed.
The technique sounds simple but is in fact composed of various procedures, for
example, moulding, firing, casting, etc. Those bronze dragons, phoenixes, cranes
and deer were all made in the same way.
Suffering the twice destructions of invaders, the pavilion lost all the doors,
windows and ornaments. The Japan-ese invaders attempted to steal the bronze credence
so as to melt the bronze for bullet making. They failed to move it out of Tianjin
when Japan declared to surrender unconditionally. Then, the precious cultural
relics returned to the Chinese people.
| The Summer Palace |
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